Faces are floated with a translucent gold ochre, carmine and Venetian red mixture, Mary's robes are floated with carmine red and indanthrone blue(a nice Bing cherry color) which really toned down the second highlights. Second highlights were repeated with a lilac color made from carmine, indanthrone blue and lead white. Flesh highlights were supposed to be lead tin yellow but I didn't have this so I used Naples yellow light mixed with lead white:
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